"...arguably the world's most influentially experimental cellist."
Tom Service The Guardian
Frances-Marie Uitti, composer/performer, pioneered a revolutionary dimension to the cello by transforming it for the first time into a polyphonic instrument capable of sustained chordal (two, three, and four-part) and intricate multivoiced writing. Using two bows in one hand, this invention permits contemporaneous cross accents, multiple timbres, contrasting 4-voiced dynamics, simultaneous legato vs articulated playing. György Kurtág, Luigi Nono, Giacinto Scelsi, Jonathan Harvey, Richard Barrett, Horatio Radulescu, Lisa Bielawa are among many who have used this technique in their works dedicated to her. More
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